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Chrissy and Scott tag-team to provide you with Fien Beat fun.

The Fien Beat

so we don't have to call!
December 18

"We provide ... leverage."

With that line, the pilot of my favorite new show draws to a close. It's TNT's take on The A-Team for the 21st century. A rag-tag group made up of a thief, a hacker, a grifter, a thug and one honest man who go all Robin Hood. Timothy Hutton leads the pack as its straight arrow, ex-insurance investigator Nathan Ford. He was burned by his own company, even after saving it $25 million by busting a fraud racket. But said-same company refused coverage for medical treatments that could have cured his son's mystery ill. He quit. For awhile, he drowned himself in johnny whiskey. But now, he fights the good fight for Joe Meatball.

It's all fluffy stuff we've seen before - Ocean's 11, BBC's Hustle even comes to mind. But the characters are fun and in these tough times, it's nice to see the bad guys get what's coming to them.

 


 

October 08

"Life" begins anew

And so it begins. The fall television season, in my opinion, has arrived with the series premiere of our Yankeefied version of the BBC's brilliant cop-out-of-time policer "Life on Mars." It's a rarity because very rarely does Hollywood hand out "do overs." But ABC must have been so high on the idea of a remake that, even after scrapping the lifeless David E. Kelley pilot, it breathed air into the show's lungs and gave it a second chance under the auspices of the young-uns responsible for last year's "October Road." I'm excited because, it seems from the updated previews I've seen, the new team has truly stuck by the original's side (you've heard me say it before, how it drives me crazy that television producers helming remakes of classic shows show such disdain for the original concept they're "reimagining"). But the Ock Road boys look to have gotten it right, much in the same way the folks at "The Office" got it right when they brought Ricky Gervais' gem across the Atlantic. So, here I am, counting down the minutes to the premiere. Let's hope The Curse isn't invoked too early. Yeah, my track record of liking successful television series hasn't been stellar in recent years. I'm proud to say I've liked "30 Rock" since its premiere. I'm even hanging in on "Lost." But anyone remember "Heist," "Smith," "Viva Laughlin"? Anybody? Yeah. Let's hope my excitement for the new "Life on Mars" hasn't doomed it before it's even begun.
 
 
 
June 24

Summer: no longer TV's doldrums

Once upon a time, network television - like so many school kids - took the summer off. "Rerun season," we used to call it, when there were reruns. Sure, now there's your reality TV fill-ins during the hot months. Your "America's Got Talent," your "I Survived a Japanese Game Show," your "Ice Trucker Guy Show with Guys Driving Trucks on Ice." But you can have 'em.

Me? I've got me two summer faves: "The Middleman" on ABC Family and "Burn Notice" on USA.

The first is based on a short series of comics created and written by "Lost" scribe Javier Grillo-Marxuach. Think "Men in Black" meets ... well, it's kinda "Men in Black," but with a chick (Natalie Morales as Wendy Watson) instead of Will Smith. Maybe with the camp of the "Batman" TV show thrown in. Can't take anything too seriously that features a gorilla mob boss or a mud monster or Mexican wrestlers gone wild. The Middleman (Matt Keeslar) is your aforementioned man in black (well, black tie and green security-guard Eisenhower jacket) who single-handedly fights extraterrestrial evil, "so you don't have to," so says the show's tagline. Wendy is his ward in training. It ain't great, but it's fun and goofy enough that you won't care. Monday nights at 10 on ABCFam.

"Burn Notice," though, ups the summer TV game quite a bit. This one's a Rockford meets The A-Team by way of MacGyver mash-up. Jeffrey Donovan plays Michael Westen, a spy who's been outed - that is, served a "burn notice" disavowing his government employment and his very existence. His assets frozen, his identity pulled out from under him, Michael is forced to make a living in his Miami hometown by helping average Joes with their extraordinary problems - a la Hannibal and Mr. T back in the Eighties. Along for the ride is Bruce Campbell as ex-federale, Sam Axe - Michael's only trustworthy friend - and Gabrielle Anwar as Fiona, Michael's ex-girl who gouges eyes out with her stiletto heels and asks questions later. All three are in on the weekly daring-do, with the subplot of who burned Michael out of the spy game percolating on the back burner. It's funny and thrilling all at once. A great summer combo. Season two starts on USA Network in July. The first is just out on DVD, and - you bet your bippy - I gots me it for Father's Day.

"The Middleman" opening credits sequence:

        

"Everybody Wants You" - Burn Notice season two teaser:

       

February 02

Writer's strike means you just have to dig deeper for good TV

Seriously, thank the Lord for cable television. I really wouldn't know what I'd be doing if I had to watch what the networks think we lemmings will watch in place of scripted television. "30 Rock" runs dry, commission two seasons of " 'Celebrity'  Apprentice" (please notice my use of double quotes around "celebrity" - who were some of those people???). Only 8 episodes of "Lost"? Get you some more of those "celebrities" and they'll maybe dance for ya! "Heroes," make way for American Gladiators. Yechhhh. That barely worked for me the first time around on a lazy Saturday morning.

So, here's what I've found ... a fantastic British sci-fi drama called "Life on Mars." Part "Quantum Leap," part "Starsky & Hutch," LOM stars the outstanding John Simm (a delight as Doctor Who's nemesis, "The Master" in the recently wrapped third season of that equally great show) as Detective Inspector Sam Tyler who's hit by a car and knocked way back to 1973. Is he crazy, in a coma or really back in time? The mystery unfolds over an achingly sparce 16-episode series - yup, that's all ... 16 episodes. But that's how the Brits do it. Quality over quantity. Go out while you're on top. And LOM is captivating, heart-breaking and hilarious both as a time-travel whiz bang of a good time and as an un-PC throwback to the Seventies when lunch was cigarettes and a long drink from the bottle in the bottom desk drawer. Women were broads and you told them so. Nearly stealing the show from Simm is Philip Glenister as the cop in charge, Gene Hunt. A neanderthal in any other time.

LOM ended its brief run on BBC America and is currently unavailable on region one DVD - that's the kind we in the States can play. Rectifying the situation was a quick order to a video supply company for a region-free DVD player and another to amazon.co.uk for the LOM box set. Both deliveries arrived just days apart. So while I wait out the writer's strike, at least I'm enjoying the found gold of "Life on Mars."

PS - David E. (The Practice/Boston Legal/Ally McBeal) Kelley is currently remaking LOM domestically. 

October 02

Rejecting this Bionic Transplant

So why is it that remakes of my favorite television shows are being produced by people who admittedly didn't watch them or hold them in such contempt that their "reimagining" rejects everything that made them popular in the first place?

Wasn't a fan of the new Battlestar Galactica, so, natch, it follows that I'm not that hot on the gang's recent take on The Bionic Woman. I'm only speaking having seen the pilot episode, but I found it too dark, too depressing, too confusing, and too unlikeable to even think about following it through a whole season - if it lasts that long. Sure, I was only a fan of the original series because I was a bigger fan of Jamie Summers' boyfriend, The Six Million Dollar Man, but still ... when when writing about the "slick, edgy" reboot, critics have called the original show "cheesy" and "campy." And I ask, "So what?" and "Define 'campy.'" You talking about the sound effects, which people to this day imitate? Well, then your "campy" is my "indelible," ol' chum.

I dunno. Maybe these Gen-X bones are just getting old, but what's so slick or edgy about two chicks fighting it out in the rain? Saw it on "Alias," like three years ago. What's slick or edgy about a car accident that costs the passenger her legs, an arm, eye and ear, while the driver not only walks away, BUT performs her life-saving, beyond-cutting-edge surgery!!?? I'm still scratching my head over that one.

Eh. Yeah, the new Jamie's a tough broad alright, but that cool exterior over a technotronic frame doesn't make for good TV in my book. For those already hooked, hope that NBC ties up the loose ends before the bionic babe's batteries run out. As for me, I'm already pulling the plug.
 
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