SC813's profileThe Fien BeatPhotosBlogLists Tools Help

Blog


    December 18

    "We provide ... leverage."

    With that line, the pilot of my favorite new show draws to a close. It's TNT's take on The A-Team for the 21st century. A rag-tag group made up of a thief, a hacker, a grifter, a thug and one honest man who go all Robin Hood. Timothy Hutton leads the pack as its straight arrow, ex-insurance investigator Nathan Ford. He was burned by his own company, even after saving it $25 million by busting a fraud racket. But said-same company refused coverage for medical treatments that could have cured his son's mystery ill. He quit. For awhile, he drowned himself in johnny whiskey. But now, he fights the good fight for Joe Meatball.

    It's all fluffy stuff we've seen before - Ocean's 11, BBC's Hustle even comes to mind. But the characters are fun and in these tough times, it's nice to see the bad guys get what's coming to them.

     


     

    October 08

    "Life" begins anew

    And so it begins. The fall television season, in my opinion, has arrived with the series premiere of our Yankeefied version of the BBC's brilliant cop-out-of-time policer "Life on Mars." It's a rarity because very rarely does Hollywood hand out "do overs." But ABC must have been so high on the idea of a remake that, even after scrapping the lifeless David E. Kelley pilot, it breathed air into the show's lungs and gave it a second chance under the auspices of the young-uns responsible for last year's "October Road." I'm excited because, it seems from the updated previews I've seen, the new team has truly stuck by the original's side (you've heard me say it before, how it drives me crazy that television producers helming remakes of classic shows show such disdain for the original concept they're "reimagining"). But the Ock Road boys look to have gotten it right, much in the same way the folks at "The Office" got it right when they brought Ricky Gervais' gem across the Atlantic. So, here I am, counting down the minutes to the premiere. Let's hope The Curse isn't invoked too early. Yeah, my track record of liking successful television series hasn't been stellar in recent years. I'm proud to say I've liked "30 Rock" since its premiere. I'm even hanging in on "Lost." But anyone remember "Heist," "Smith," "Viva Laughlin"? Anybody? Yeah. Let's hope my excitement for the new "Life on Mars" hasn't doomed it before it's even begun.
     
     
     
    June 24

    Summer: no longer TV's doldrums

    Once upon a time, network television - like so many school kids - took the summer off. "Rerun season," we used to call it, when there were reruns. Sure, now there's your reality TV fill-ins during the hot months. Your "America's Got Talent," your "I Survived a Japanese Game Show," your "Ice Trucker Guy Show with Guys Driving Trucks on Ice." But you can have 'em.

    Me? I've got me two summer faves: "The Middleman" on ABC Family and "Burn Notice" on USA.

    The first is based on a short series of comics created and written by "Lost" scribe Javier Grillo-Marxuach. Think "Men in Black" meets ... well, it's kinda "Men in Black," but with a chick (Natalie Morales as Wendy Watson) instead of Will Smith. Maybe with the camp of the "Batman" TV show thrown in. Can't take anything too seriously that features a gorilla mob boss or a mud monster or Mexican wrestlers gone wild. The Middleman (Matt Keeslar) is your aforementioned man in black (well, black tie and green security-guard Eisenhower jacket) who single-handedly fights extraterrestrial evil, "so you don't have to," so says the show's tagline. Wendy is his ward in training. It ain't great, but it's fun and goofy enough that you won't care. Monday nights at 10 on ABCFam.

    "Burn Notice," though, ups the summer TV game quite a bit. This one's a Rockford meets The A-Team by way of MacGyver mash-up. Jeffrey Donovan plays Michael Westen, a spy who's been outed - that is, served a "burn notice" disavowing his government employment and his very existence. His assets frozen, his identity pulled out from under him, Michael is forced to make a living in his Miami hometown by helping average Joes with their extraordinary problems - a la Hannibal and Mr. T back in the Eighties. Along for the ride is Bruce Campbell as ex-federale, Sam Axe - Michael's only trustworthy friend - and Gabrielle Anwar as Fiona, Michael's ex-girl who gouges eyes out with her stiletto heels and asks questions later. All three are in on the weekly daring-do, with the subplot of who burned Michael out of the spy game percolating on the back burner. It's funny and thrilling all at once. A great summer combo. Season two starts on USA Network in July. The first is just out on DVD, and - you bet your bippy - I gots me it for Father's Day.

    "The Middleman" opening credits sequence:

            

    "Everybody Wants You" - Burn Notice season two teaser:

           

    February 02

    Writer's strike means you just have to dig deeper for good TV

    Seriously, thank the Lord for cable television. I really wouldn't know what I'd be doing if I had to watch what the networks think we lemmings will watch in place of scripted television. "30 Rock" runs dry, commission two seasons of " 'Celebrity'  Apprentice" (please notice my use of double quotes around "celebrity" - who were some of those people???). Only 8 episodes of "Lost"? Get you some more of those "celebrities" and they'll maybe dance for ya! "Heroes," make way for American Gladiators. Yechhhh. That barely worked for me the first time around on a lazy Saturday morning.

    So, here's what I've found ... a fantastic British sci-fi drama called "Life on Mars." Part "Quantum Leap," part "Starsky & Hutch," LOM stars the outstanding John Simm (a delight as Doctor Who's nemesis, "The Master" in the recently wrapped third season of that equally great show) as Detective Inspector Sam Tyler who's hit by a car and knocked way back to 1973. Is he crazy, in a coma or really back in time? The mystery unfolds over an achingly sparce 16-episode series - yup, that's all ... 16 episodes. But that's how the Brits do it. Quality over quantity. Go out while you're on top. And LOM is captivating, heart-breaking and hilarious both as a time-travel whiz bang of a good time and as an un-PC throwback to the Seventies when lunch was cigarettes and a long drink from the bottle in the bottom desk drawer. Women were broads and you told them so. Nearly stealing the show from Simm is Philip Glenister as the cop in charge, Gene Hunt. A neanderthal in any other time.

    LOM ended its brief run on BBC America and is currently unavailable on region one DVD - that's the kind we in the States can play. Rectifying the situation was a quick order to a video supply company for a region-free DVD player and another to amazon.co.uk for the LOM box set. Both deliveries arrived just days apart. So while I wait out the writer's strike, at least I'm enjoying the found gold of "Life on Mars."

    PS - David E. (The Practice/Boston Legal/Ally McBeal) Kelley is currently remaking LOM domestically. 

    October 02

    Rejecting this Bionic Transplant

    So why is it that remakes of my favorite television shows are being produced by people who admittedly didn't watch them or hold them in such contempt that their "reimagining" rejects everything that made them popular in the first place?

    Wasn't a fan of the new Battlestar Galactica, so, natch, it follows that I'm not that hot on the gang's recent take on The Bionic Woman. I'm only speaking having seen the pilot episode, but I found it too dark, too depressing, too confusing, and too unlikeable to even think about following it through a whole season - if it lasts that long. Sure, I was only a fan of the original series because I was a bigger fan of Jamie Summers' boyfriend, The Six Million Dollar Man, but still ... when when writing about the "slick, edgy" reboot, critics have called the original show "cheesy" and "campy." And I ask, "So what?" and "Define 'campy.'" You talking about the sound effects, which people to this day imitate? Well, then your "campy" is my "indelible," ol' chum.

    I dunno. Maybe these Gen-X bones are just getting old, but what's so slick or edgy about two chicks fighting it out in the rain? Saw it on "Alias," like three years ago. What's slick or edgy about a car accident that costs the passenger her legs, an arm, eye and ear, while the driver not only walks away, BUT performs her life-saving, beyond-cutting-edge surgery!!?? I'm still scratching my head over that one.

    Eh. Yeah, the new Jamie's a tough broad alright, but that cool exterior over a technotronic frame doesn't make for good TV in my book. For those already hooked, hope that NBC ties up the loose ends before the bionic babe's batteries run out. As for me, I'm already pulling the plug.
    July 28

    Drew right for "Price"

    Did you see Drew Carey on "Letterman" announcing his new job as "Price is Right" host? He looked so happy!
    And I think that's why he's a great fit for the show. Drew is a happy guy; game shows like TPIR are happy shows. Rosie O'Donnell has too much angry agenda baggage these days. Get another talk show, Rosie. Too, when RO'D was hotly pursuing TPIR, she talked about her meeting with producers where she "shared her ideas." Ideas? I know it's not Meet the Press or Face the Nation, but who wants anyone tinkering with the show? Ain't broke, don't fix it kind of a thing.
    So, I'm looking forward to watching Drew take on TPIR. I'm not expecting much to change. Maybe some more laughs, and no one is better at laughing at himself than Drew Carey. I think he'll do great.
     
    March 24

    Putting "Life" back into TV

    Call it one for the good guys, if you will. A perusal of your cable television grid these days and you'll find for every entertaining show like "American Chopper," for every "Daily Show with Jon Stewart" and Olbermann's "Countdown," there's something like eight "Real Desperate Housewives," "Girls Next Door" and "Trade Your Spouse's Fixer Upper Then Sell It!" Quality TV chalked up one in the Win Column this week as Showtime (yeah, that Showtime) premiered "This American Life," the public radio hit now put to moving pictures. This is reality television with a heart, a soul and moral to the story. Hosted, as is the radio version, by creator and chief scribe Ira Glass, "This American Life" will over six weeks introduce us to a dozen folks, just like us and show us what happens when humanity hits them in the face. Just as the radio show never ceases to deliver on the same promise, the television version will make us laugh, cry and think. It's a beautiful thing. 

    November 14

    TV writers need not apply

    What was it Willie Nelson sung? "Don't let your babies grow up to be cowboys"? Well, mommas, how strange on the cusp of 2007 a young college grad might find more fortune ropin' dogies on the open range than picking up a pen and paper as a telelvision writer. Not sure where this rant is going, but the spark of the flame has at its root William Shatner's latest piece of resume padding, next to "Boston Legal" and Priceline.com. He'll debut this week as the host of some sort of televised genetic splicing of a game show, variety dance party and a long-tired catch phrase called "Show Me the Money." I know Shat's gotta pay the mortgage, but when will the nets stop with the mind-numbing reality programming? The answer: never because it's cheap and like lummoxes, we'll watch anything they put on the box. And yes, that's the Royal We. The We which does not include Me.

    Here I am giving network TV a chance after taking a couple seasons off from embracing any new programming. The first show I take for a spin? Ray Liotta's "Smith." (And that doesn't count the time invested in NBC's similar take "Heist" which went six eps and out.) That show - gone ... the first axed from the fall slate. I cling desperately to "Studio 60 on the Sunset Strip" and "30 Rock," both eroding in their timeslots (although, the Peacock seems to be giving Tina Fey a shot of adrenaline with a move to Thursdays).
    Ah yes, there is "Heroes" as well, which despite my loyalty is actually doing well.

    So that's me ... frustrated when smart scripted TV yields to songs and dances and cash giveaways. I just had to write it down.

    Scott
    March 04

    Empty Oscar

    Well, another year, another year without seeing one Academy Award nominated film. "Brokeback," "Capote," "Los Duques de Hazzard" - missed 'em all. Am I sorry? Sure. Used to be we'd hit at least two of five. Hey, we did catch "Harry Potter and the Goblet of Fire." Might be up for Best Sound, Best Smoke, Best Something, but I doubt it.
     
    These days, most of our movie-watching is done at home - fire up the DVD player, pop some microcorn and we're good. Okay ... melt some butter too and pour it over the top. Yup, at home there's no Chatty McRudely fighting for your arm rest. (Did you hear about the 40-year-old guy who talked all through our showing of "Star Wars: Episode III"? This one was at the theater - obviously. He actually said this out loud, "Yoda's green!" Great - chatty AND a rocket scientist!!)
     
    There's a lot to be said for staying in and watching movies ... but ... and it has to be the right movie here ... but there are somethings that need to be seen three stories high in a room with stadium seating and 300 strangers:
    • anything with Rocky Balboa punching someone's lights out in the final seconds of the final round,
    • anything with a superhero,
    • anything with Bruce Willis crashing through broken glass.

    When the crowd is washed up in the excitement of the knockout, the vanquishing of the villian, the blowing away of some foreign-but-you-can't-really-tell-if-he's-Russian-or-Arab baddie - there's nothing like seeing a movie "at the movies." I saw "Rocky II" on my ninth birthday at the Loews. People were actually cheering in the aisles when Rocky climbed up those ropes. I was nine and I still remember it.

     
    So where did I start this? Oh yeah. Didn't see any of this year's Oscar nominees. Wait a sec. We actually did see "Crash," but given I'm only now remembering that fact instead of at the beginning of this entry, doesn't bode well for its impact on me. Definitely winner of the "I Really Really Really Thought This Movie Could Never Have A Happy Ending" award. But I hear if you see just one gay cowboy movie this year, see "Brokeback Mountain." If you see two, catch Kenny Rogers in "Gambler 2."
     
    Scott
     
     
     
     
     
     
     
    February 04

    Ticket to Hide

    My mom is a see-a-movie-once kind of gal. Me, I have a stable that I can go back to time and again - some titles come and some go from that list, but if I like a film, I can sit through it a gazillion times ("Ghostbusters," "Star Wars," "Ocean's Eleven," "Get Shorty," "LA Confidential," recently "Layer Cake"). That's a lot for you folks who didn't major in higher mathematics. But when you surf enough cablewaves as I do, you're apt to swim across a handful of the same ol' Hollywood chestnuts. So here's a short list of movies I really don't care if I ever see again:
    • "Sister Act"
    • "Ghost"
    • "Dirty Dancing"
    • "Grease"

    And seriously, nothing against Whoopi or Patrick Swayze. "Sister Act" absolutely made me laugh and the music is great, but I'm okay if I don't tune it in again. Never really liked the other three anyhow, so there you go. I almost put "The Silence of the Lambs," but didn't. The first "Superman" film too. Maybe it's because whenever it's on, it's always the part where he does that do-over move by flying around the planet and making it spin backwards.

    I don't know what it is - have I seen these movies SO many times that I know what's coming up and just want it to be over? But what about "Ghostbusters" and "Star Wars"? Maybe it's because I grew up with those movies and they take me back to my childhood. More nostalgia than anything else. I know the Death Star's gonna blow, so why watch for the gazillionth and one time? Maybe because everytime I see it explode, I also remember watching a television show every Sunday night about making movies hosted by Tom Bosley that used the Death Star explosion during its credit sequence. Every time I watch the Ghostbusters march into that hotel to take on Slimer, I remember thinking I could make a cool jumpsuit like that and did and wore it two Halloween's in a row. Maybe every guy wants to look and dress as cool as Danny Ocean or Chili Palmer. On the other hand, I n ever met a guy who stood on his car and sang "Greased Lightning." Or spun a pottery wheel, for that matter.

     

     Scott